His characters will often sit around and talk small talk forever, yet I am so caught up in the amusing dialogue that I really enjoy it. For a simple premise and multi-layered characters, Tarantino's expert style and execution makes his eighth film an enjoyable experience. Share on Twitter . The Hateful Eight is just as much a Western in the classic sense as it is inarguably Quentin Tarantino’s eighth movie (assuming of course you count Kill Bill as one feature). By Jim Vejvoda. The Hateful Eight is a bloody good time with some very memorable characters. Google+. Like the nonstop barrage of racial slurs, the film's relentless and often comical violence against Daisy never feels truly earned. The mystery has few surprises, particularly as the tension is mitigated by prolonged conversations in a stagecoach, a stable, a way station, and around a dinner table. I wouldn't mind being exhausted watching The Hateful Eight if it actually added up to something or said something or even just managed to entertain me. Instead of solely being a good film, it goes beyond that, resting its roots in the past and its ambition in the future. Jeremy Lebens December 26, 2015 Leave a comment. The unexpected whodunit aspect of this deeply untrustworthy tale took on a life of its own, and the delectable dialogue so memorably delivered just delighted me at every turn. In "Death Proof" and "Django," you could always see what Tarantino was going for even when he didn't pull it off. The pre-intermission showstopper is Warren's account of forcing the general's son to march naked through the snow, then orally raping him before killing him—an atrocity that might or might not have actually happened. (James Parks); his prisoner, the treacherous outlaw Daisy Domergue (Jennifer Jason Leigh), who's being escorted to Red Rock for hanging; incoming Red Rock sheriff Chris Mannix (Walton Goggins), a former outlaw that Ruth can't accept as a lawman, and Maj. Marquis Warren (Samuel L. Jackson), an ex-slave turned anti-Confederate war hero turned bounty hunter whose record of wartime atrocities makes Ruth distrust him and Mannix hate his guts. No one could ever accuse Quentin Tarantino of a lack of self-importance. In the dead of a Wyoming winter, a bounty hunter and his prisoner find shelter in a cabin currently inhabited by a collection of nefarious characters. 3 min read. "The Hateful Eight" arrives when it finally seemed as if Tarantino, dissed early in his career as a brilliant but disreputable pastiche artist, was earning a new reputation as a maker of audacious revenge pictures about underdogs lashing out against oppressors: women in "Death Proof" (which feels like a more compact but deeper examination of themes from "Kill Bill"); Jews in the World War II fantasy "Inglourious Basterds"; American slaves in "Django Unchained." Overview - The Hateful 8 is set 6 or 8 or 12 years after the Civil War in wintery Wyoming, and a blizzard is coming. The Hateful Eight is a unique cinematic experience that transcends most of the best films of 2015. Leigh's outlaw, the only woman, gets the worst of it, entering the film with a black eye, taking multiple fists to the face, and spending the final third of the film drenched in blood and missing a tooth. Directed by Quentin Tarantino. Google+. Matt Zoller Seitz is the Editor at Large of RogerEbert.com, TV critic for New York Magazine and Vulture.com, and a finalist for the Pulitzer Prize in criticism. The context of a nasty, brutish time gives the artist permission to be nasty and brutish. It might also just be the year's best film. It's so transparently intended as a "Wow, I can't believe the film went there!" as Major Marquis Warren. In a movie filled with selfish, deceptive and murderous characters, hers is the only demise that is not just observed, but celebrated. It absolved the viewer of nothing. This is an experience. That isn’t something every director can do. In "Hateful Eight," for the first time in Tarantino's career—and in contrast to such brutal, semi-exploitive but ultimately mournful films as "The Wild Bunch" and "U-Turn"—there's no detectable moral framework to speak of. The movie is filled with playful and curious surprises: not just of the plot twist or character-revelation variety, but what might termed "formal violations" that make "The Hateful Eight" feel more experimental than classical. I have always been a big fan of Quentin Tarantino. The Hateful Eight is a parlour-room epic, an entire nation in a single room, a film steeped in its own filminess but at the same time vital, riveting and real. Writing 8.5. The Hateful Eight Movie Review Average Ratings:3.5/5 Reviews Counted: 5Positive:5Negative : 0From All the Top Indian Critics reviews on the web Ratings:3/5 Review By:Rajeev Masand Site:CNN IBN The film succeeds on account of its sly, sneaky script, the unanticipated characters who show up and get blown to bits, and because it’s got a terrific ensemble of actors who genuinely appear to be enjoying … The joint's owner, Minnie, is nowhere to be found, and her husband is missing as well. Tough. Rated R It has a bully's mentality. There are a ton of action-packed Christmas movies (a la Die Hard) that wouldn’t necessarily be considered a holiday film first and foremost, but some would even group The Hateful Eight in that category too. Tarantino's timely and bleakly humorous hybrid of the Western and mystery genres. From "Reservoir Dogs" and "Pulp Fiction" through his recent run of movies, he's given us a mix of proudly amoral and morally struggling characters, then shown them working through their hypocrisy and relativism in finely tuned, ping-pong style exchanges (like that final Travolta-Jackson conversation in "Pulp Fiction"). In it they play bounty hunters trying to deliver bounties to Red Rock when a blizzard waylays them at a saloon or hotel or something for a few days with six other people. Kurt Russell, Jennifer Jason Leigh and Bruce Dern in 'The Hateful Eight.' The passengers, bounty hunter John Ruth (Kurt Russell) and his fugitive Daisy Domergue (Jennifer Jason Leigh), race towards the town of Red Rock where Ruth, known in these parts as “The Hangman,” will bring Domergue to justice. Directing 8.5. and the Terms and Policies, He spends nearly a half-hour on a stagecoach ride that introduces a mustachioed fugitive tracker, John "The Hangman" Ruth (Kurt Russell,  talking like John Wayne); his driver O.B. Review by kayla ★★★★★ 59 It’s my birthday and I’ll watch The Hateful Eight for the trillionth time if I want to Bounty Hunter John Ruth is trying to get his bounty, Ms. Daisy Domergue (Dah-mer-goo), to the town of Red Rock where she’s scheduled to be brought to justice. "Death Proof" played identification games by putting a male murderer and female avengers in the foreground in each of its halves, making you think about how a storyteller's choice of protagonist determines who we identify with, while "Django" saw its "Odyssey"-like story through radicalized eyes, treating violence against slaves as one of America's original sins but violence against slaveowners (and anyone who profited from slavery) as a morally justifiable skeet-shoot, because the latter had forfeited their right to be thought of as human beings. That's not the case here. Talk talk talk talk talk talk kill; talk talk talk talk talk talk kill, and so on, and so on. The character tally actually adds up to nine by this point, if you count the driver, but he's not really hateful, so maybe you shouldn't. Review Date March 28th, 2016 by M. Enois Duarte. It's a slower-than-expected and … It was complicated, and every second was deeply felt. Quentin Tarantino's ultraviolent, ultra-talky sorta-Western "The Hateful Eight" is an impressive display of film craft and a profoundly ugly movie—so gleeful in its violence and so nihilistic in its world view that it feels as though the director is daring his detractors to see it as a confirmation of their worst fears about his art. The Hateful Eight Review. Posted: 16 Dec 2015 7:13 pm. By creating an account, you agree to the Privacy Policy Get the freshest reviews, news, and more delivered right to your inbox! A claustrophobic, theatrical experiment of Hitchcockian proportions - as thrilling as it is frustrating. Posters for The Hateful Eight proclaim it “the 8th film by Quentin Tarantino.” This calculation appears to omit Death Proof, his segment of Grindhouse, which is something of a missed opportunity because including it would make the new work Tarantino’s 8½. The Hateful Eight is an homage to the Westerns of the ‘60s. Twitter. Samuel L. Jackson The Hateful Eight grossed $54.1 million in the U.S. and Canada, and $101.6 million in other countries, for worldwide gross of $155.8 million. But despite its closing aura of celebration, the movie was disquieting. We're just watching a bunch of scorpions in a bucket getting ready to sting each other, then stinging each other—sometimes verbally, sometimes with fists or guns or other weapons: tearing flesh, coating hardwood floors with gore and brains. Movie Review Movie The Hateful Eight 2016, Story, Trailers | Times of India Movie The Hateful Eight Movie Review. It's big and daring but also, I'm afraid, bloated, with a pay off not large enough to justify the more than three-hour running time. It might also just be the year's best film. It was not a simple entertainment. The Hateful Eight is ambitious, complex yet wildly entertaining. The Hateful Eight: Behind the Scenes - Quentin Reaches His Stride. Facebook. But Tarantino's never been the sort of director you hold to implicit promises about what you're getting when you buy a ticket. but also, it seems, from Tarantino's own moral compass—if indeed he has one, and after this movie I have serious doubts. The Hateful Eight. It’s narratively and visually claustrophobic. The Hateful Eight doesn’t have enough ideas. Best approach this film as you would theater; for that's what 'The Hateful Eight' really is: a stage play disguised as a movie. It’s a clean break, not unlike the sea change that occurred with Michael Powell when he made Peeping Tom, or Alfred Hitchcock, with Frenzy. One of the bounties, played by Jennifer Jason … It was also the ultimate examination of role-playing in both life and art—a concern that runs through all of Tarantino's movies, starting with "Reservoir Dogs," about a gang of robbers tearing themselves apart trying to figure out which of them is secretly a cop. The Hateful Eight Review. Review: The Hateful Eight (Quentin Tarantino, U.S., 2015) By Steven Mears in the January-February 2016 Issue. The Hateful Eight Review By Ben Kendrick Published Dec 25, 2015 As a realization of Tarantino's vision, The Hateful Eight is one of 2015's best movies - and a standout in the director's filmography. Set in the post-Civil War era, the movie pits a group of criminals and criminally brutal lawmen against each other in a snowbound Wyoming cabin. Movie Review Movie The Hateful Eight 2016, Story, Trailers | Times of India Movie The Hateful Eight Movie Review. Tarantino's eighth film might not be his leanest, meanest or best, but The Hateful Eight proves to be an event film best viewed in 70mm. ), but with torture; rape; point-blank gunplay; multiple, possibly false identities, and gallons of blood. "I have a suspicion," Seinfeld says, "that he's converted to Judaism just for the jokes.". 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